from my email.-
>To: "Hugh Watkins" <
hugh_watkins@msn.com>
>Subject: Re: The Bombay Army, 1880s
>Date: Sat, 6 Nov 2004 00:04:30 -0500
>
>
>>my old bassoon teacher from 1958 to 1965 Frank Rendell played in
>>the Governor of India's Band in about 1910 ish
>>
>>
http://www.bl.uk/collections/oiocfamilyhistory/familyglossaryb.html
>>Yes and Frank told me their bandmaster was interned in 1914
>>the Governor's wife knew Lehar because they had been ambassador in
>>Vienna previously
>>she told the BM that Lehar hated the viennese lilt in waltzes
>>"tea spoons at the end of the bow" ie Vienna Cafe or gypsy style.
>>
>>Frank Rendell played in the Grenadier Guards under Dr Williams and
>>was professor of bassoon at Kneller Hall and the Guildhall School
>>of Music - Eton too was it Prince Michael played bassoon
Frank was really proud of that student and brought Prince Michael's instrument to his classes and let us, his other students, try it - we weren't spit squeamish in those days - teacher and pupil tried the same reeds and the teacher adjusted them with his knife which was the only way to check if they worked ok and were
playable or if the weird noises were cause by technical problems and not the student's incompetence or ignorance
>>Charles was trumpet and there was a royal school girl oboeist too
(my memory takes a day or two to get at the deeply buried data)
It was Princess Anne at Benenden
- Judith Thomas, my first wife, who studied oboe at the Royal Academy with John Field and his successor who was the mother of actress Jane Asher
AHA using google to jog my memory Margaret Asher (or did she use her maiden name Margaret Elliot? )
was discretely invited to teach "you know who" but she taught at Bedales and turned Benenden down and played firtst oboe with the Royal Ballet orchestra on tour
- which is how I learned about theatrical digs and travelled on the special ballet train on sundays with vans at the back for the scenery. And after a week as a dputy second bassoon at Eastbourne Thetre with them got passed on the the Halle orcestra as an occaisional third bassoon when the reguslar third bassoon palyed contra. bassoon
"Her father, Dr. Richard Asher, was a psychiatrist and her mother Margaret Augusta Eliot was a classical music professor at the Guildhall School of Drama and Music." definitely the Royal Academy of Music (Which just shows how errors get on the web)
I met her there at a concert in Dukes Hall when Judith played a solo, . and Jane was there as a teen with stunning long dark auburn hair - once seen never forgotten. This was about 1959
Judith later told me that Dr. Richard Asher committed suicide about the time of the McCartney affair - Judith and I totally ignored the Beatles because we were so deeply into classical music - LOL !
But my mother sent us SGT. PEPPER'S LONELY HEARTS CLUB BAND LP for Christmas 1967 my mother was a fan but I was too immature to understand that music and played the LP about once..
another was on the BBC this week talking about David Monroe the recorder player (and baroque and early music revivalist, who asked us to play old oboes) as if he pioneered the recorder
Not true Arnold Dolmetsch did that - the father of
Dr. Carl Dolmetsch, CBE, (born in Fonteney-sous Bois, 1911, died on July 11, 1997) has that honour, which makes David Monroe part of the third generation of modern recorder players. We probaly met through the Galpin Society
- I met that clan , the Dolmetsch Ensemble, on the tube on the way to Waterloo - I asked if a large music instrument in a canvas bag was a contra bassoon - "No an arch lute," was the reply.
Natalie Dolmetsch invited me to Haslemere and showed me round and suggested I learn the baroque bassoon. I declined because the modern Heckel bassoon was difficult enough to master even with all the helpful improvements of two centuries of development. I was impressed to hear the family speaking french at home - my first meeting with a bilingual family.
David Monroe died shockingly young and it was said on the BBC this week that he had committed suicide.